The background to the game is crucial, and players may find themselves consulting the Datalog option in the main menu quite often for information. The Datalog contains updated information on the thirteen days that lead up to the events of the main characters’ l’Cie transformation, along with information on historical references, enemies, locations, fal’Cie, and more. The fact that the game forces players to read what should be spoken may frustrate some gamers, and with so many twists in the game, the goal may become confusing or even muddled underneath it all. Still, the main storyline packs a punch, and while it drags on throughout much of the beginning, once it picks up it doesn’t let go. At its core, it is an emotional tale of survival, and players will enjoy watching the characters transform over the course of the game.

The first thing nearly every gamer will recognize about the game is its phenomenal graphics. The characters and scenery are simply stunning, and the mixture of places visited, from thriving cities to mechanical waste dumps, are beautiful to behold. The soundtrack of the game is equally astounding, having a very dramatic musical theme. Voice acting is also quite good, though Vanille’s voice has received criticism from many gamers. Whenever she is attacked or upset, she groans and moans, and the T-rated game suddenly takes on a more mature edge. Teenagers should not feel embarrassed for playing the game, yet many boys will chuckle or snicker at Vanille’s rather obnoxious battle attacks and moans (it being so obvious that reviewers feel the need to comment on it).

With such beautiful landscapes, many gamers hoped to explore the world of Cocoon. However, Square Enix has severely limited the players’ ability to travel. Maps are about as linear as one can find; often players are literally going in a straight line from point A to point B with only a couple fights and items laid out before them. Out of a total of thirteen chapters, players will only be able to go back to Chapters 11 and 12 once they reach Chapter 13, meaning that most of the places players visit will be a one-time event. This is deeply disappointing, particularly because it creates a limit on side-quests, which are rarities within the game. For a series that usually makes side-quests fun and challenging undertakings, Final Fantasy XIII falls far short of this expectation. Most side-quests are only available in Chapters 11 and 12, and many are recommended only after beating the game.

The battle system is nothing like previous installments to the series. Up until much later in the game, the computer chooses who you will control and who will be in the party, forcing you to try out all characters at one point or another. Only one character in the party can be controlled as well. Furthermore, for the first several chapters, there is no leveling up. Once the main characters become l’Cie, they gain what is known as the Crystarium, a level-up system that is just as linear as the map system. There are three main roles each character is given depending on their unique abilities in battle, and each character levels up these roles in different orders. It is a basic system; characters gain experience from battles and use it to gain one crystal sphere at a time. Spheres range from abilities to accessory slots to generic stat improvements. Rather than liberating characters, the Crystarium feels very restrictive to players’ abilities, for it only expands, allowing for higher levels, at key points within the story. Therefore, players can only max out their characters to specific points before having to wait until an important boss later down the road before they continue training.

Given this restrictive setting, strategy is a much more important feature of the battle system. Battles are very fast-paced and require what are called Paradigm changes. Paradigms are different sets of roles that characters are assigned, and these roles can be shifted in the course of battle in order to use different strategies. These range from having all-out frontal assaults to defensive and medic sets, allowing for swift changes in strategy should something drastic happen (and it often does). Even Eidolons, which are brought back in a new way, follow this emphasis on strategy rather than brute force. Each character receives a specific Eidolon at crucial points throughout the game. In order to receive it, however, players must fight the Eidolon and fill a bar by using various techniques, some of which include not attacking at all. Eidolons also cast Doom, turning battles into a race against the clock. Once obtained, they do very little damage overall, and while they can change into various forms throughout battles, it feels as though Eidolons are around to show off more than to do damage. This emphasis on strategy rather than statistics falls in line with the simplistic level-up system, but it can make for some very frustrating experiences, particularly with bosses.

Final Fantasy XIII is a beautifully complex game, yet it has its share of flaws that will irritate old-time Final Fantasy fans. The battle system is completely different from anything seen before, and the linear gameplay, along with a lack of side quests and exploration, is a disappointment. The game looks and sounds striking, and once they have completed it, players will gain a huge amount of appreciation for the story’s complex nature, but some may not be willing to get through the flaws of the game to complete it.

[Recommended]

This review is based on a retail version purchased by the reviewer.

With TWEWY I definitely came for the extensive customization, but I ended up staying for the co-op play, if you can believe it. Being the turn-based strategy game junkie that I am, I have a deep-seated love for endlessly tweaking and adjusting my cast of characters between every encounter (my FF: Tactics game can attest to that). And while this isn’t a turn-based game, TWEWY delivers that customizable fix that I’ve come to enjoy so much. From the clothes on your back, to the food in your stomach, to the pins on your chest, everything here affects your characters either numerically, changes their move set, or gives them a special ability.

However, all of these fine details don’t amount to much if you can’t put them to good use. Luckily, the combat mechanics here will keep you engaged throughout by utilizing both the top and bottom screens of the DS. Up top you’ll be using the d-pad, or face buttons, to line up symbols in order to score hits on your opponent. On the bottom it’s the various motions of the stylus that dictate what actions you perform. Sure they both sound simple enough when they’re separate, but try controlling both at the same time and pretty soon you’ll find yourself setting up that auto-play feature.

Now, if you’re like me and can’t manage what feels like doing ten things at once, you could always play the game co-op. No, I don’t mean wireless co-op, I mean you and your partner sit side-by-side and each controls either the top or bottom screen. Sure there might be some arguments about skipping through dialog too quickly or what items to buy, but being able to devote full attention to both characters at once makes the game much more manageable at higher levels of play.

Aside from missing a true multiplayer component (no, the “local co-op” doesn’t count), TWEWY is a game perfectly crafted for the handheld mindset. The missions here never take too long and you’re always able to save on a whim. You can do as much or as little combat as you’d like since the encounters are by choice rather than at random. The game even gives an incentive for you to return by continuing to level up your pins while it’s shut off. Just like the fashion mecca it’s centered around, this game also never sleeps.

TWEWY was a total blast from confusing start to convoluted finish. Believe me, after the credits roll you’ll be just as bewildered as I was as to what on Earth just happened. But fear not, once completed you’ll be rewarded with a plethora of bonus content – including the ability to replay any day you wish to unlock extra swag and plot info. If you own a DS, put it to good use and check this title out! You have seven days.

Graphics/Sound:		4.0		Average: (3.9 stars)
Gameplay:		4.0
Design/Story:		3.5
Lasting Appeal:		4.0
Overall:		4.0

In Crisis Core: Final Fantasy VII, we’re plopped into the wide eyed and enthusiastic shoes of Zach Fair, an up-and-coming SOLIDER member with big dreams about the future (and a whole lot of honor). To say any more concerning the plot would be almost speculation on my part since nothing anyone says makes a lick of sense. I don’t know what crack-shot B-team Square Enix farmed the localization work out to, but needless to say, cringe-moments abound.

Outside of hearing people ramble on and on about poetry quotes or what honor means, you’re mostly just hacking and slashing your way through one enemy after another. Playing out in a very Kingdom Hearts fashion, the combat here is simplistic and easy to learn. You can attack, dodge, cast magic - you know the drill. Also at your disposal is the ability to switch up the move set by equipping different "materia" which will level up and get stronger as you play.

The problem here is that, while it all sounds great, after a few brief hours with this system you’re left wanting more – a desire which goes unfulfilled. Crisis Core feels as if it has somehow has gotten lost in the transition from straight RPG to action title. It thereby looses the deep, tactical aspect of the former, while not completely picking up on the complex combat of the latter. Instead, Crisis Core startles a weak middle ground whose feature set runs out of luster far too soon.

I really wanted to like this game. We all heard Jeremy Parish from 1UP talk about how he thought the game was going to be another horrible FFVII flop, and "then it got good!" The problem is, yeah it does get good - and then it just levels off. For example, besides block, dodge, and the almost useless "dash" ability, I never had anything else to do in combat besides click on which materia to use next. Then there’s the materia fusion system – wherein you refine new materia from old ones – which really felt limited in its overall selection.

Outside of the main story line you have the option of tackling some extra missions for the various parties you encounter throughout the game. However, they’re essentially all the same mission – they each just look a little different. Basically, any given mission is a collection of rooms, each with an encounter, leading up to a boss fight. All of them play out this way with one exception: some just have you fight the boss encounter. (Those were my favorites.)

If you’re really looking for some more FFVII action then go ahead and add it to your queue on GameFly, you’ll love it. Otherwise, there are a slew of other RPG or action titles for handhelds that you could check out.

Graphics/Sound:		4.0		Average: (2.7 stars)
Gameplay:		2.5
Design/Story:		2.0
Lasting Appeal:		2.5
Overall:		2.5